Grid-27 was aimed at combining perception and reality in a similar way as Grid-15 but in a more direct and stripped-down fashion. The tunnel-like borders encapsulate the main subject (an eye symbolizing perception) in layers similar to those found in video feedback loop effects (also known as Optical feedback). The three triangles pointing towards the eye symbolize stimuli being taken in by the senses.
Grid-26 deals with balance: evenly spaced spike tips, but not at the base of the triangles; triangles pointing up and down, but only one pointing up; one square in each rectangular half, but both loosely positioned--yet somehow still managing to balance out the composition.
Aggression, jaggedness, danger, deviation, sharpness, peril, speed, suspense, determination, and wild are all words that come to mind as I look at Grid-25. The initial idea was not far from the result: I wanted to use only triangles in order to express danger. Don't be scared if you catch a crocodile staring right back at you as you immerse yourself in this grid!
Grid-24 uses rectangular shapes in combination with vertical symmetry to create a highly neutral composition. While meditating on this composition I found that the ideas/images it triggered were remarkably more spaced out from each other than those inspired by other compositions. This may be due to the simplicity of the design. As with most final gridz in the series of 30, Grid-24 was inspired by a very specific objective: in this case creating a blocky composition made of simple rectangular shapes.