Grid-01 is reflected horizontally at the center. Objects are not particularly repetitive and vary in size and shape with angle and shape sizes decreasing as they are closer to the margins.
Interpretation: lines found on the lower half of the piece point towards the bottom-center of the piece, effectively "grounding" the composition. The two larger triangles at the bottom act as a seemingly stabilizing base, but are actually not horizontally leveled (subtle, but noticeable). This small detail conflicts with the feeling of stability. The larger v-shaped object in the lower middle resembles a shield, which contrasts with sharper fragmented objects surrounding it and pointing in its direction. Simultaneously, there are two similar triangular shapes that are pointing outwards, which give this piece the duality of protection and aggression. Finally, towards the upper-center, we find two shapes that clearly "assemble together". The two-direction movement in this piece makes a clear connection towards the top of the assembled object where an X forms.
I created gridz sometime around November 8, 2013, which is Hermann Rorschach's birthday. Rorschach was a psychologist that developed the famous "inkblots test" as a psychoanalysis method. The idea of something so seemingly-simple as an inkblot provoking such deep-rooted thoughts to surface fascinated me.
Another concept behind gridz is Piet Mondrian’s style of abstraction (i.e. Broadway Boogie-Woogie). Mondrian abstracted or “simplified” his compositions to the extent of reducing elements to vertical and horizontal lines and primary colors. Similarly, gridz are highly abstracted and limited which makes creating them a straight-forward and relatively simple process (like inkblots!). Ironically, this abstraction and simplicity are what allow gridz to serve as windows to deeper and more complex ideas. In other words, gridz speak directly and clearly, with minimal interference so that the minds of both creators and viewers can take the spotlight.
Gridz share many similarities with mandalas: spiritual and ritual symbols used in Hinduism and Buddhism for meditation and trance induction. Mandalas are generally square-shaped and use symmetry, repetition, radial balance, and many other elements that are also common in gridz. These stylistic elements in combination with a variety of shapes can make gridz highly meditative, taking both the creator and viewer on a journey of self-discovery through association. This process of meditation and discovery is very personal and can differ greatly between viewer and creator.
Other styles of art using similar elements to gridz are:
Regarding the use of descriptive/creative gridz titles: Initially, before completing the 30 Gridz Series, I had envisioned eliminating the use of creative/descriptive names for gridz and adding this restriction to the list of characteristics listed above. The intention behind this restriciton was to extend the minimalist nature of gridz and prevent any additional influence that the title may cause on the observer. For instance, if I called a grid "Bird", the viewer would immediatly think of a bird before even experiencing the piece. Instead, for the 30 Gridz Series I used a sequence of title names in the follwoing format: "Grid-XX". After completing the 30 Gridz Series and experimentally tagging them with descriptive names, I noticed the pieces were instantly more popular--people liked being guided by the title. I decided to make the use of suggestive titles optional, but in its purest form girdz will have non-descriptive titles.